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November Artist in Residence - Amelia White (Good Ole Fashioned Song Swap Mondays)

All the way from Nashville!

‘Good Ole Fashioned Song Swap Mondays’

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The Line-Up for November:

Nov. 4th w/ Suzanne Schmitt

Nov. 4th w/ Suzanne Schmitt

Nov. 11th w/ Molly Thomas

Nov. 11th w/ Molly Thomas

Nov. 25th with Eric Erdman

Nov. 25th with Eric Erdman

(Nov. 18th TBA)***


ABOUT AMELIA WHITE:

“Best of Jan.2019 “ Rolling Stone Country

“Insinuating Hooks, slyly sleepy singing, and lean jangly backing” NPR MUSIC 2019

NASHVILLE, Tenn. — If there were an East Nashville Music Hall of Fame, Amelia White would already be in it. The now-famous scene was in its formative days when White arrived from Boston in the early 2000s and became a fixture at the Family Wash. She’s been a leading light in America’s most musical zip code ever since, even as she’s developed a reputation in the rest of the U.S. and Europe as a first-rate songwriter. She helped define and refine the core folk-rock sound of Americana, yet her band’s energetic pulse never outshines her carefully wrought lyrics. She’s a poet who’s been compared to more famous songwriters for years; now, it would be more appropriate to use her as a benchmark.

White’s seventh album, Rhythm of the Rain, due out January 25, 2019, is a volume of ruminations and short stories written largely during a tour in the U.K. in 2016. There, at a distance and with a sense of helplessness, she watched America’s political system and her values attacked from within. Then the project was recorded by East Nashville sonic maestro Dave Coleman (The Coal Men) in an emotionally wrenching four days between White losing her mother and marrying her partner. Roots music is a journal of love and loss, and Rhythm of the Rain couldn’t be a more potent dispatch.

“As a songwriter, I feel obliged to tell the stories that are coming through in the air to me in my world whether it’s personal or political or both. That can be hard,” White says. “The antenna is always on. Man, you’ve got to feel a lot. It’s a heavy load sometimes.”

She’s shared shows with the likes of Brandy Clark, Asleep at the Wheel, John Prine, and Justin Townes Earle, as well as performed for a handful of folks in unknown cafes. “There was a point in my career where I realized you have to go out and knock on doors with your songs,” she allows. “They need to be sung for people and that means a relentless tour schedule. If I were a trucker I’d be rich.”

Amelia White doesn’t chase opportunities. She chases songs and gives her entire focus to the listeners and fans who show up, year after year, to commune with her music.

Her songs and co-writes have been recorded by some of the great names of Americana music; Anne McCue, Julie Christensen, Wild Ponies, and Tony Furtado.

“When faced with whether to go out in Nashville and schmooze, or take a walk and start a song in my head I’d always choose the SONG,” she says. “And sometimes I feel that I pay for that.”

Yet we listeners are the ones getting something of value.

Amelia will be releasing “LOVE I SWORE” Produced by Kim Richey and recorded in Nashville Aug. of 2019 in Spring 2020.